I just came out of a meeting for record labels. Yes, record labels have organization meetings as all other business organizations. I have been a member for the past 25 years, so it was fun meeting people that actually do the same things like your self and really indulge in record label nerd talks. Before the meeting, I meet up with another label that used to be active in this local organization but now is in the bigger worldwide organization.
She just said I don’t care any longer about the local chapter. It’s really too low quality on the members to be even considered as working in the music business. In reality, they are worse than the artist themselves on their job. It is mainly a junkyard of people that are employed by organizations to give out music in a really bad way. My belief is that the artist would do it much better themselves then being pampered by these bogus so-called record labels.
And now when I write this it popped up on my social media feed, adds on a supervision company marketing that suddenly you can also add your song for distribution on their platform. I guess placements didn’t go that well? And then a company where you can create songs and collaborations with others just added on taht you can also publish the songs by them. I don't know would you feel okay that your real estate provider worked out of a hot-dog stand?
Yes, there are too many people and companies that just offer a bad version of what a real record label should be able to offer. Sure you can use any of the public distribution services for DIY artists. They are not great. If your goal is to have the song on Spotify they work fine. It’s not for professional releases with real marketing but you can say to your friends that you are on Spotify. But to be middle hand for those sites? That is not okay!
Releasing today is not to get the song on to Spotify. That is easy. The hard part is the PR part where you have to work against the social media bubble to try to break into new bubbles and have every algorithm against you. That is the reason why no one is not discovering your music when you put it up there. It has nothing to do witch way it came in. It's about how you market it. No marketing and the chances of being discovered even to the lowest playlist is almost zero.
Here is the service a real record label actually can provide. If it is a real label! Right now I see too many people acting like middle hands for artists to even do the simplest of stuff. Like a government organization opening up a record label for artists that uses their rehearsal rooms, using a DIY distributor. What is the point? You fool the artist thinking that they got a record deal? In reality, you just move their files to someone else that distributes it to Spotify. Then the artist thinks you are great just because they are on Spotify. In reality, you just broke every chance to market the stuff.
Not the organization has no clue about marketing. Nor has the supervision company or the collaboration company. I can’t imagine they have staff working with all the strange songs that are in the making all the time. They don’t have any intention to even spend money on any marketing. Instead, it’s just another of these 99 % of the 40 000 tracks that are uploaded to Spotify each day. A good question would be how even there are handling things like ISRC codes or even simple matters like information around who wrote the song. Things that actually is crucial for you as an artist to get paid!
Back to the meeting with the local chapter I was visiting. It was horrifying when you looked onto who was actually claiming they were a record label. 60% were artists that were giving out themselves, and none of them are successful and probably would need the advice from a real label around song quality, PR, and stuff. 35% were those middlemen that are failed musicians that now work for organizations claiming to be a label. Then you had three real labels, run by old people. In reality, their prime time was over 20 years ago. One was asking what TikTok was, just saying. I got only one “real” label in the meeting that knew what they were talking about.
No there was no good time to chat about the industry. The knowledge was not there. The real people had moved on to the worldwide organization. I guess real record labels are on extinction. There are a few ones left and if you work with them, they are great. But they act on a really high level.
Like the plastic destroying the oceans the bogus ones are spreading out fooling artists to use a service to go to another service and the DIY can’t really promote either. In the end, the artist is stuck with a bad deal with no one telling them what they do wrong or how to improve.
Like the fish in the sea that will be gone of our pollution, the artists and talent will die by fake hopes to get their music heard.
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