Going home day but will I make the plane from Amsterdam?
Here are all the episodes in one go....
A blog about life as a Music industry professional, what is going on why do we choose artists like we do and what kind of work are we doing.
Showing posts with label Vblog. Show all posts
Showing posts with label Vblog. Show all posts
Tuesday, March 5, 2019
Monday, March 4, 2019
Peter goes to Nairobi day 6
Safari day and Peter try Ox balls and goes to a suburban studio.
Friday, March 1, 2019
Peter goes to Nairobi day 5
Shopping spree on the Massai market, meet the best manger and what to drink?
Thursday, February 28, 2019
Peter goes to Nairobi day 4
A bit of sightseeing, two new ugly sodas and no desserts in Africa.
Wednesday, February 27, 2019
Peter goes to Nairobi Day 3
On day three it's a photo shoot on the roof. Learning Swahili and going to the embassy.
Tuesday, February 26, 2019
Peter goes to Nairobi Day 2
Peter goes on a radio interview, try beer and coffee and in thee end do a romantic move.
Monday, February 25, 2019
Peter goes to Nairobi Day 1
Yes, the Vlog is in full swing. Here is my trip to Nairobi and ONGEA festival. Since the whole movie is 30 min I cut it down to days with around 5 min each.
Wednesday, November 8, 2017
Vlog 8 Nov about traveling, secrets and Jeeves.
New url, Jeeves takes me out on shopping. A backstage visit on Shockholm, and our new pumpkin showoff.
#Traveling #Jeeves #DIY #Pumpkin
Friday, October 14, 2016
Video logg
The Vlog holds things about Videos of The Magnettes, Mother Mink and State of grace. Also new intreviews with Adée and Royal Prospects. And secrets and invetations.
Sunday, September 18, 2016
Sunday, September 11, 2016
Wednesday, July 6, 2016
3 tips for artists Mikael Sandberg
I come a cross so many great people in the music industry and ask them about 3 tips for artists. Here is Mikael Sandberg who is working on a new site called Strumlive.se really cool site where you can stream you own live show.
Saturday, July 2, 2016
How to break internationally
How to break internationally? Well it dosen't matter where you from. The rules is the same. So let's start on the showcase festivals and tip off what to do.
Saturday, June 25, 2016
Make a deal?
I got this letter from a band witch I will go through in my Vlog. So you will see it a couple of times. It will have the word letter to it on the right side.
This is part 4 is a sepacial on the word "make a deal".
Business model - as follows...
Part 1
• Continual flow of single package/EP releases.
o Plugging
o Gigs
o Music Video
o Press imagery
o All new release artwork will feature as the backdrop for the website along with
corresponding banners and ‘click-throughs’ to iTunes and/or Spotify – this will
be consistent across all public facing platforms.
Part 2
• Build ‘banked tracks’ – Currently 12 unreleased.
The intention is that if we keep a consistent flow of releases whilst scaling up our investment
(and therefore exposure), we should start to make equivalent ‘noise’ in the industry.
Hopefully this will make the act more attractive to booking agents, labels and/or publishers
Part 3
so that as soon as we are deemed ‘ready’, we will be prepared with:
• more than an albums worth of tracks;
• a solid release campaign template ;
• and a release history with a track record of achievements (sales, venues played, radio
Part 4
The ultimate aims are to secure an agent, an industry immersed co-manager and sign a
deal by the end of 2016/early 2017.
This is part 4 is a sepacial on the word "make a deal".
Business model - as follows...
Part 1
• Continual flow of single package/EP releases.
o Plugging
o Gigs
o Music Video
o Press imagery
o All new release artwork will feature as the backdrop for the website along with
corresponding banners and ‘click-throughs’ to iTunes and/or Spotify – this will
be consistent across all public facing platforms.
Part 2
• Build ‘banked tracks’ – Currently 12 unreleased.
The intention is that if we keep a consistent flow of releases whilst scaling up our investment
(and therefore exposure), we should start to make equivalent ‘noise’ in the industry.
Hopefully this will make the act more attractive to booking agents, labels and/or publishers
Part 3
so that as soon as we are deemed ‘ready’, we will be prepared with:
• more than an albums worth of tracks;
• a solid release campaign template ;
• and a release history with a track record of achievements (sales, venues played, radio
Part 4
The ultimate aims are to secure an agent, an industry immersed co-manager and sign a
deal by the end of 2016/early 2017.
Thursday, June 23, 2016
To be ready?
I got this letter from a band witch I will go through in my Vlog. So you will see it a couple of times. It will have the word letter to it on the right side.
This is part 3
Business model - as follows...
Part 1
• Continual flow of single package/EP releases.
o Plugging
o Gigs
o Music Video
o Press imagery
o All new release artwork will feature as the backdrop for the website along with
corresponding banners and ‘click-throughs’ to iTunes and/or Spotify – this will
be consistent across all public facing platforms.
Part 2
• Build ‘banked tracks’ – Currently 12 unreleased.
The intention is that if we keep a consistent flow of releases whilst scaling up our investment
(and therefore exposure), we should start to make equivalent ‘noise’ in the industry.
Hopefully this will make the act more attractive to booking agents, labels and/or publishers
Part 3
so that as soon as we are deemed ‘ready’, we will be prepared with:
• more than an albums worth of tracks;
• a solid release campaign template ;
• and a release history with a track record of achievements (sales, venues played, radio
The ultimate aims are to secure an agent, an industry immersed co-manager and sign a
deal by the end of 2016/early 2017.
This is part 3
Business model - as follows...
Part 1
• Continual flow of single package/EP releases.
o Plugging
o Gigs
o Music Video
o Press imagery
o All new release artwork will feature as the backdrop for the website along with
corresponding banners and ‘click-throughs’ to iTunes and/or Spotify – this will
be consistent across all public facing platforms.
Part 2
• Build ‘banked tracks’ – Currently 12 unreleased.
The intention is that if we keep a consistent flow of releases whilst scaling up our investment
(and therefore exposure), we should start to make equivalent ‘noise’ in the industry.
Hopefully this will make the act more attractive to booking agents, labels and/or publishers
Part 3
so that as soon as we are deemed ‘ready’, we will be prepared with:
• more than an albums worth of tracks;
• a solid release campaign template ;
• and a release history with a track record of achievements (sales, venues played, radio
The ultimate aims are to secure an agent, an industry immersed co-manager and sign a
deal by the end of 2016/early 2017.
Tuesday, June 21, 2016
Tracks and make noise in the industry
I got this letter from a band witch I will go through in my Vlog. So you will see it a couple of times. It will have the word letter to it on the right side.
This is part 2
Business model - as follows...
Part 1
• Continual flow of single package/EP releases.
o Plugging
o Gigs
o Music Video
o Press imagery
o All new release artwork will feature as the backdrop for the website along with
corresponding banners and ‘click-throughs’ to iTunes and/or Spotify – this will
be consistent across all public facing platforms.
Part 2
• Build ‘banked tracks’ – Currently 12 unreleased.
The intention is that if we keep a consistent flow of releases whilst scaling up our investment
(and therefore exposure), we should start to make equivalent ‘noise’ in the industry.
Hopefully this will make the act more attractive to booking agents, labels and/or publishers
Part 3
so that as soon as we are deemed ‘ready’, we will be prepared with:
• more than an albums worth of tracks;
• a solid release campaign template ;
• and a release history with a track record of achievements (sales, venues played, radio
The ultimate aims are to secure an agent, an industry immersed co-manager and sign a
deal by the end of 2016/early 2017.
This is part 2
Business model - as follows...
Part 1
• Continual flow of single package/EP releases.
o Plugging
o Gigs
o Music Video
o Press imagery
o All new release artwork will feature as the backdrop for the website along with
corresponding banners and ‘click-throughs’ to iTunes and/or Spotify – this will
be consistent across all public facing platforms.
Part 2
• Build ‘banked tracks’ – Currently 12 unreleased.
The intention is that if we keep a consistent flow of releases whilst scaling up our investment
(and therefore exposure), we should start to make equivalent ‘noise’ in the industry.
Hopefully this will make the act more attractive to booking agents, labels and/or publishers
Part 3
so that as soon as we are deemed ‘ready’, we will be prepared with:
• more than an albums worth of tracks;
• a solid release campaign template ;
• and a release history with a track record of achievements (sales, venues played, radio
The ultimate aims are to secure an agent, an industry immersed co-manager and sign a
deal by the end of 2016/early 2017.
Friday, June 10, 2016
The Office Pinball
Yes it's not an office if you don't have a Pinball. And we have a "Who Dunnit" from 1995.
I actually play better with two hands.
I actually play better with two hands.
Thursday, June 9, 2016
Tjabo the office dog
Well, yes we have a office dog named Tjabo.
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